The Towns and Downs Greetings Card Collection.

£8.95

Introducing the Towns and Downs Collection.

This new collection comprises River Thames at Hammersmith by Eric Ravilious, Wood on the Downs by Paul Nash, and The Cornfield, by John Nash. All of which are in landscape format.

Blank inside, so suitable for birthdays, anniversaries, and all occasions.

Dimensions: 178mm by 127mm (landscape).

Printed on 300gsm FSC approved Invercote card stock using high quality inks to retain the colours of the original image. Each card is supplied with a white laid envelope, so you can share them with friends and family.

 

A little about the artists:

Eric Ravilious (22 July 1903 – 2 September 1942) was an exceptional watercolourist, wood engraver and designer. He grew up in the shadow of the Sussex Downs in the coastal town of Eastbourne, the surrounding landscape of which heavily influenced many of his best known works. His instantly recognisable style, palette and choice of subject have an almost universal appeal, a blend which has increased in popularity with the passing of time, particularly in the first two decades of the 21st century.

Paul Nash (11 May 1889 – 11 July 1946) was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art.

Born in London, Nash grew up in Buckinghamshire where he developed a love of the landscape. He entered the Slade School of Art but was poor at figure drawing and concentrated on landscape painting. Nash found much inspiration in landscapes with elements of ancient history, such as burial mounds, Iron Age hill forts such as Wittenham Clumps and the standing stones at Avebury in Wiltshire. The artworks he produced during World War I are among the most iconic images of the conflict. After the war Nash continued to focus on landscape painting, originally in a formalized, decorative style but, throughout the 1930s, in an increasingly abstract and surreal manner. In his paintings he often placed everyday objects into a landscape to give them a new identity and symbolism.

Click here to read more.

In 1918 John Nash left the front lines of WWI to take up a position as an official war artist. ‘The Cornfield’ was the first non-war themed painting he completed on his return. During the day he and his brother, Paul Nash, painted works in their official capacity, but in the evenings they painted for their own pleasure. The length of the shadows cast by the hay stooks is an indication of this practice.

Weight 96 g

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